Fēng Zǐkǎi 豐子愷 (1898-1975)
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Fēng Zǐkǎi 豐子愷 (1898-1975) was an important artist and illustrator of the Republican period. He was also an active lay Buddhist.
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As a youth, Fēng received a classical education at the Confucian academy run by his father. When Fēng was 13 suì 歲, the academy was turned into a modern school, and he became one of the first students. He was first in his class and in 1914 he became a student at a middle school in Hángzhōu 杭州, where he studied art under Lǐ Shūtóng (who later became the famous artist and monk Hóngyī 弘一). Lǐ recognized Fēng's artistic talent and had a major impact on his later development. While in school, Fēng also studied Japanese. In 1918 Lǐ Shūtóng ordained in Hángzhōu. Before he did so, he gave some of his work and supplies to his senior students, chief among which was Fēng.
Fēng graduated in July of 1919, whereupon he and several of his classmates moved to Shànghǎi 上海 where they worked at a new school. Fēng taught in the art department and helped establish the Chinese Fine Arts Educational Society 中華美育會, which published the magazine Měiyù 美育.
In the fall of 1921, Fēng went to Japan to study oil painting. He also joined groups dedicated to studying Western musical and painting techniques. After ten months in Japan, lack of funds forced Fēng to return to China. He worked in Shànghǎi for the year before taking two positions teaching in Níngbō 寧波.
In May, 1925, the magazine Wénxué zhōubào 文學周報 published a special collection of Fēng's work, which was published as the monograph Zǐkǎi mànhuà 子愷漫畫 by Kāimíng Books 開明書店 the following year. This was Fēng's first book, and the first Chinese book to us the word "mànhuà 漫畫" in the title. That same year, the Lìdá Study Association 立達學會 was formed by Fēng and his friends along with the associated Lìdá Middle School 立達中學 (the name was changed to the Lìdá School 立達學園 in 1926).
During the mid-1920s, Fēng saw Hóngyī several times. Under his encouragement, Fēng formally took refuge in Buddhism at his private studio under Hóngyī on September 26, 1926 (which was his 30th birthday according to suì reckoning).
Over the next ten years Fēng produced a large body of work, which included both visual art, essays, and introductory textbooks.
During the Second Sino-Japanese War, Fēng wrote against Japanese imperialism. And some point he fled Hángzhōu, returning the year after the war was won. He did not stay long in Hángzhōu for very long, however, and in 1950 he moved to Shànghǎi, were he lived for the rest of his life. In the 1950s and into the 1960s he served on the steering committees of various arts associations and gallery boards.
With Hóngyī and Lǐ Yuánjìng 李圓淨